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| The reclaiming of building materials, La Puente, CA
The manufacture of building materials is
responsible for the loss of wildlife habitats, erosion, and water and air
pollution (Joseph and Tretsiakova-Nally, 2010:400; Kim, 1998:7; Vatalis et al.,
2013:749). What is critical in terms of halting the over-consumption of
building materials is the comprehension of the final phase, the “life cycle
assessment” (Vatalis et al., 2013), when materials have subsequently
deteriorated beyond sufficient use. At this point, the materials are disposed
of or recycled into other products. In urban spaces and cities of the San
Gabriel Valley, building materials such as wood, stone, paint, metal, PVC,
sand, and gravel are abundant resources. As Wu (2010:2) notes, cities are
cradles of knowledge production and offer a multitude of products that are
important for achieving sustainability. They are often free and routinely pile
up on curbsides, in commercial waste bins, and in the discounted sections of home
improvement warehouses. Reclaiming of unwanted building materials represents a
focal practice of HBS when renovating with a human health and wellness focus.
Realized
through time and space, wood and other building materials can be put through a
careful process of recycling that includes 1) reclaiming, 2)
restoration, and 3) implementation.
I CAME UP ON SEMI-NEW CRAFTSMAN LAWNMOWER |
Welcome students and colleagues, friends and family, if you have made it this far, I encourage you to stay a bit longer and read about some of my work. The writings reflect many of the thoughts that I carry with me throughout the course of a day, evening, and often times, the dreams that take hold of me while I sleep. The verses represent the inner voice in me that speaks of the past, the present, and the future. Writing is my ultimate form of expression that allows me to reflect, inspire, get well, and grow. The energy that feeds my work, I pull from themes that correspond to Mesoamerica, my ancestral place of birth, and the area I study. References to symbols of the past, deities, and natural phenomenon, dominate certain pieces, and blend with current verses of life, love, and death. I have never taken a writing class... the only "style" that exhibits my work is the one that I create from my imagination, heart, and dreams.
I’m an avid builder and horticulturalist, and so I spend a lot of my time building things and growing different types of herbs and plant food. I do not identify as an artist nor do I make art for aesthetic purposes; my work solely materializes a ritual-ceremonial or utilitarian function. The craft of working with wood I learned from my father, by watching him design and build homes throughout much of my adolescent youth. I also learned how to work with stone by watching my uncles construct brick and rock landscapes, in the wealthy neighborhoods were they labored during much of the 1980s, when construction was booming. My paternal grandpa Juan was also a craftsman, hence why all his sons became builders of some sort, and so building has always been an integral part of my family’s trade history. I learned about plant cultivation from my abuelita Mercedes on my paternal side and my abuelito Severo on my maternal side. Much of the landscaping strategies that I learned from my grandparents came with them from Mexico when they migrated to Alta California, in the early 1960s, along with my parents. A lot of the building and planting strategies that my family has implored have been in use for over 3,000 years. It is my purpose to revitalize and sustain these ancestral practices through ceremony, household building, and plant cultivation.
My fascination with building and growing food is not only familial, but also physical-skeletal (see my Physical Anthropology 101 blog), and because so, I have an admiration for the morphology of the human hand. The hand is unlike any part of the body, and because we use our hands every day, we literally take them for granted, sometimes failing to notice their full potential use. Our hands are our first weapons of choice in an attack, yet they are the first part of the body that we extend when helping or consoling someone. With our hands, we build shelter, writer letters, prepare food, and unknowingly, make love. Our hand-digit coordination is unique because it is precise, well adapted for creating, and for using and making tools. Hand-digit use coordination has been a part of our human evolutionary past since we inhabited arboreal environments, way before we developed bipedalism. When combined with tool use, the creative use of the hands has the capability of decolonizing our minds and bodies.
My inquiry into the relationship between hand-bone morphology usage and social behavior remains in the early stages. Nonetheless, some preliminary findings I modeled in a recent paper where I discuss the role of the hands, and early human tool making, in the creation of spatial wellness. The paper is published in Vol. 3 No. 4 of the International Journal of Development and Sustainability.
The reclaiming of building materials
Posted by
Santiago A. Garcia
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