La Serpiente Emplumada: December 2013

BACK TO MY HOME PAGE

Welcome students and colleagues, friends and family, if you have made it this far, I encourage you to stay a bit longer and read about some of my work. The writings reflect many of the thoughts that I carry with me throughout the course of a day, evening, and often times, the dreams that take hold of me while I sleep. The verses represent the inner voice in me that speaks of the past, the present, and the future. Writing is my ultimate form of expression that allows me to reflect, inspire, get well, and grow. The energy that feeds my work, I pull from themes that correspond to Mesoamerica, my ancestral place of birth, and the area I study. References to symbols of the past, deities, and natural phenomenon, dominate certain pieces, and blend with current verses of life, love, and death. I have never taken a writing class... the only "style" that exhibits my work is the one that I create from my imagination, heart, and dreams.

I’m an avid builder and horticulturalist, and so I spend a lot of my time building things and growing different types of herbs and plant food. I do not identify as an artist nor do I make art for aesthetic purposes; my work solely materializes a ritual-ceremonial or utilitarian function. The craft of working with wood I learned from my father, by watching him design and build homes throughout much of my adolescent youth. I also learned how to work with stone by watching my uncles construct brick and rock landscapes, in the wealthy neighborhoods were they labored during much of the 1980s, when construction was booming. My paternal grandpa Juan was also a craftsman, hence why all his sons became builders of some sort, and so building has always been an integral part of my family’s trade history. I learned about plant cultivation from my abuelita Mercedes on my paternal side and my abuelito Severo on my maternal side. Much of the landscaping strategies that I learned from my grandparents came with them from Mexico when they migrated to Alta California, in the early 1960s, along with my parents. A lot of the building and planting strategies that my family has implored have been in use for over 3,000 years. It is my purpose to revitalize and sustain these ancestral practices through ceremony, household building, and plant cultivation.

My fascination with building and growing food is not only familial, but also physical-skeletal (see my Physical Anthropology 101 blog), and because so, I have an admiration for the morphology of the human hand. The hand is unlike any part of the body, and because we use our hands every day, we literally take them for granted, sometimes failing to notice their full potential use. Our hands are our first weapons of choice in an attack, yet they are the first part of the body that we extend when helping or consoling someone. With our hands, we build shelter, writer letters, prepare food, and unknowingly, make love. Our hand-digit coordination is unique because it is precise, well adapted for creating, and for using and making tools. Hand-digit use coordination has been a part of our human evolutionary past since we inhabited arboreal environments, way before we developed bipedalism. When combined with tool use, the creative use of the hands has the capability of decolonizing our minds and bodies.

My inquiry into the relationship between hand-bone morphology usage and social behavior remains in the early stages. Nonetheless, some preliminary findings I modeled in a recent paper where I discuss the role of the hands, and early human tool making, in the creation of spatial wellness. The paper is published in Vol. 3 No. 4 of the International Journal of Development and Sustainability.

Baked squash and pumpkin seeds

Squash, White Squash, and Jack-o-lantern seeds

1) Fill foil pan with seeds
2) add desired amount of sea salt
3) bake in oven for 25 minutes at 400

Store in glass jar and enjoy all winter... and wine for lust taste

Household Building Sustainability

Household Building Sustainability

I follow D.H. Meadow’s (1998) further development of the “Daly Triangle” (see Herman E. Daly 1973), which outlines the ultimate ends of human wellbeing. According to Meadow these are: happiness, harmony, identity, fulfillment, esteem, self-realization, community, transcendence, and enlightenment. In this paper, wellbeing and spatial wellness are synonymous. However, spatial wellness also links the inter-relationship between mind, body, and the material world. In the household, spatial wellness, I define as the ultimate ends of living space in response to social transformations and the negotiation of building materials. Therefore, household building sustainability (HBS) as an applied household science aims to achieve spatial wellness within the scale of the home (Diagram B). In practice, HBS moves beyond building materials to encompass the modification and negotiation of all material culture to improve health and achieve wellness. It asks the agent to develop a critical consciousness, as a pre-requisite or learning goal, requiring further sustainable systems to be resilient, low-maintenance, and capable of restoration through time. The sustainable house must return a multitude of services, material and spiritual, for aiding human health and wellbeing. This echoes the goal described by landscape scientists under the premise of landscape sustainability science: “Landscape sustainability science is a place-based, use-inspired science of understanding and improving the dynamic relationship between ecosystem services and human well-being in changing landscapes under uncertainties arising from internal feedbacks and external disturbances” (Wu 2013:999).

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